"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

One lie requires two to cover it up, and two require four. Even Kosmas cannot escape this inviolable rule, who, in order to regularly escape his marital obligations, has created a fictional representative for his business in Rhodes. When he needs to introduce this representative, his only solution is to turn to an old friend with questionable tastes, Lele, who shows up completely unexpectedly to ask for his help. The second lie will create tragicomic situations because the imaginary person also takes on flesh and blood, claiming his own rights, resulting in a chain of misunderstandings that, for Kosmas, is a dead end...
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
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In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
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There's no hiding the horrors of war in this inspiring story of survival