"The Black Phone" - The Ghost Story Cloaked In A Slasher Film
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.

“We left our language and started speaking others’. The girls have got married and have left for the villages. Boys are getting married in villages. It should be taught to children”. — Gyani Maiya Sen-Kusunda The Gi Mihaq (also known as Kusunda) was a semi-nomadic hunter and gatherer community that settled in villages around the mid-western Nepalese district of Dang. They have long lost their native language Mihaq (Kusunda), to acculturation and other barriers to active use. The community also lost their 83-year-old elder Gyani Maiya Sen-Kusunda in 2020, the most and the only known fluent Kusunda speaker then. Filmed in Kulmor in the Dang District in 2018, this openly-licensed documentary is a memoir of Sen-Kusunda in her own words and a biography of her people who were forced to leave their language and cultural identity. Kusunda is being revived by Kamala Sen Khatri, Sen-Kusunda’s younger sister, and Uday Raj Aaley, a local researcher who is the key interviewer for this film.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.