The Women's Wrestling Revolution Tournament starts this Saturday. After the announcement a few weeks ago the promotion has given further information about it. The tournament will be held over three of our Women's Wrestling Revolution events. It will start this Saturday with three qualifying matches. There will be five more qualifying matches at Women's Wrestling Revolution 4 on Saturday, June 3rd right before GWF Mystery Mayhem 2017. The eight winners of these qualifiers will compete on Saturday, September 2nd before GWF Battlefield 2017. At Women's Wrestling Revolution 5 the audience will witness the quarter finals, semi finals and the grand final all in the afternoon.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
