GULLA AND HIS HORSE
A self-proclaimed director (Sudipto) and his crew chase Gulla (Mehtab) a poor boy trying to understand his life. They want to capture his everyday life with their video camera. Unemployed Gulla’s condition is just like his old broken cycle. Gulla shows the least interest in the filming and the chase goes on.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A self-proclaimed director (Sudipto) and his crew chase Gulla (Mehtab) a poor boy trying to understand his life. They want to capture his everyday life with their video camera. Unemployed Gulla’s condition is just like his old broken cycle. Gulla shows the least interest in the filming and the chase goes on.
Cast
Articles You May Like
Are You There God? It's Me, Margaret. (2023)
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Black and Blue: Racial Injustice to the Big Screen
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
“The Comedians” is Essentially When Billy Met Josh…
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
It's Theater VS Cancer in "Don't Say Good Luck"
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.