The Final Season of ‘Superstore’ Sends off an Inclusive Gem
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.

Elizabeth comes home from college to stay with her parents. She begins having violent dreams where she sees a darker version of herself killing people close to her. Then those same people show up dead in real life under mysterious circumstances. Elizabeth was diagnosed with schizophrenia when she was 12 after an accident occurred that killed her younger sister. Now, Elizabeth doesn't believe she's sick, she believes she's haunted. Is she right and whatever is haunting her is killing people close to her? Or is her illness gotten worse and turned her into a murderer?
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.