6-grader Kolya Gerasimov discovers a time machine in a basement of an old house in Moscow and gets transferred into the 21st century. There he is allowed to look around. Accidentally, Kolya witnesses two space pirates who arrive from Saturn and later try to steal a device called a "Mielophone" (which can read thoughts) from Alisa Seleznyova - a girl that performs experiments with this device and animals. Kolya manages to save the device from the pirates and brings it back to the 20th century. But both pirates and Alisa get there too. Alisa knows where Kolya studies but doesn't know what he looks like. Pirates saw Kolya, but don't know anything about him. Written by Boris Shafir
Pavel Arsenov
Director
Natalya Guseva
Alisa Selezneva
Aleksei Fomkin
Kolya Gerasimov
Ilya Naumov
Fima Korolev
Maryana Ionesyan
Julia Gribkova
Vyacheslav Nevinnyy
Vesel'chak U, kosmicheskiy pirat
Mikhail Kononov
Krys, kosmicheskiy pirat
Elena Metelkina
Pauline
Elena Tsyplakova
Mariya, sotrudnitsa iz kamennogo veka
Boris Shcherbakov
Ivan Sergeyevich, sotrudnik iz Drevney Gretsii
Ruben Simonov
professor Gogi, sotrudnik iz XVIII veka
Vladimir Nosik
ded Pavel Poloskov
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.