Atithi is an attempt to examine the 'other face' - flashes of humanity - of a young man totally immersed in the cult of terrorism. Strange as it may sound, we also see flashes of violence (at times) that trickle into the thinking of another man with total belief in non-violence as the ultimate truth of life.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
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