TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

In the 1980s, Hu Bayi, Shirley Yang, and Wang Kaixuan’s close friend, Big Gold Tooth, travels to Wu Gorge in Sichuan to collect antiques. However, upon his return, Tooth mysteriously falls victim to poisoning. To save him, the trio embarks on a journey to Wu Gorge in search of an antidote. But what they don’t expect is to become entangled in a dark murder conspiracy, plunging them into yet another perilous and uncharted adventure.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.