
Gu follows the fearless eight-year-old Minna on her first visit to her dads ancestral home where she becomes enthralled by the legend of Gulikan, a spectral presence rumored to appear anytime, day or night. When her cousin Paru falls under the grip of an evil entity, Minna and her cousins embark on a courageous mission to banish the malevolent force
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.