Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

German musician Uwe Berkemer and the Caucasian Chamber Orchestra would like to deliver a peace message: the language of music is universal. It is indeed possible to perform together and live together in spite of different nationalities (ethnic groups, languages, religions and cultures) and even when at war with one another. The film would like to convey a universal message: you must believe in your own dreams. It doesn’t matter whether or not they come true, at least you will have tried.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
If you want to feel the rush, you have to take the risk.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.