“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

Beloved are those who stay at home.
Like most young people, Leviticus is imperfect. But I love it anyways.
A throwback to the last months of the 20th century in this comedy film.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.