Blake is a talented acting student as well as an unrealistic dreamer when it comes down to how to make a living until he makes it "big". Continuously fired from minimum wage employment, Blake and his best friend Elliot get sucked into the dangerous world of gambling. Luckily, Blake's sister Angela has proven to be a reliable roommate and so far taken care of her irresponsible younger brother. When a car crash on the way to a job interview lands her in the hospital, Blake offers to start the job in his sister's place, which turns out to be more complicated than expected: His ward is the homely and socially inept 20-year-old agoraphobic Giselle, who insists on a *female* assistant. However, the girl and her mother have never met Angela in person, and thus Blake is able to transform himself into a convincingly enough version of his sister.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
From being unfairly outed, to going after the life you want for yourself, these songs from 'Frozen' perfectly capture the journey out of the closet.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
