Premature (2019): An intimate 'welcome to womanhood' tale
SPOILERS AHEAD. Premature is a story about the pain of love and realities. Transitioning from youth to our perspective of adulthood, how do we grapple with loss?

1780: When farmer Schmitzdorff in Wust, Brandenburg, is denied permission to marry his stepdaughter Sophie, he goes to Potsdam to obtain permission from the king himself. Because when he believes he is in the right, the proud man stubbornly insists on his opinion. But his stubbornness gets the better of him when he meets the dashing Wordelmann, Frederick II's personal grenadier, in an inn on the way. The latter sees the farmer as a welcome distraction from his otherwise dreary everyday life. Wordelmann tricks Schmitzdorff at his expense and pretends to be allowed to perform the wedding because of his military affiliation. And so the grenadier ends up organizing a wedding that isn't a wedding and takes the dastardly prank to the extreme until everyone involved has lost their laughter.
SPOILERS AHEAD. Premature is a story about the pain of love and realities. Transitioning from youth to our perspective of adulthood, how do we grapple with loss?
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
This is not a story of oppression but a story of liberation.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict