Shang-Chi: Mental Health and Healing, Marvel Universe, and Awkwafina Humor
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.

A long-time resident of the farm, the filmmaker sets up a camera to observe this community living physically and ideologically on the margins of consumer society. In this multigenerational, interdependent community, each individual contributes in their own way to growing or raising almost all their food and, more broadly, to creating their own shared space and way of life. They seek to live in harmony with plants and animals, adopting an approach based on respect and recognition for their ecosystem. Images and sound express this vision, often placing humans in relation to their environment. The flexible frame also highlights manual labour with its sometimes delicate, sometimes laborious gestures. This visually stunning work was filmed over two years and follows the seasons. It’s punctuated by cycles—from sowing to harvesting and from birth to slaughter—developing an inspiring reflection on society, nature, and life through ellipsis and fluidity.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
A homeless girl faces depression and uncertainty during the holidays.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
An excellent exploration of taking a joke too far.