
A long-time resident of the farm, the filmmaker sets up a camera to observe this community living physically and ideologically on the margins of consumer society. In this multigenerational, interdependent community, each individual contributes in their own way to growing or raising almost all their food and, more broadly, to creating their own shared space and way of life. They seek to live in harmony with plants and animals, adopting an approach based on respect and recognition for their ecosystem. Images and sound express this vision, often placing humans in relation to their environment. The flexible frame also highlights manual labour with its sometimes delicate, sometimes laborious gestures. This visually stunning work was filmed over two years and follows the seasons. It’s punctuated by cycles—from sowing to harvesting and from birth to slaughter—developing an inspiring reflection on society, nature, and life through ellipsis and fluidity.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
A film about family and sacrifice... and carnivorous locusts coming after you.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets