The film follows Nanba, a shunned outcast who doesn’t have a girlfriend, any money or prospects, a turnaround from his glory days in high school when he played on the baseball team; his former teammate Ishioka, who is now a policeman because of an elbow injury; and baseball fanatic Eiko, a hopeless alcoholic who spends more of her time drunk than sober. The three share an intense love of baseball — and their destinies are forever intertwined.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
On March 31st, International Trans Day of Visibility, the trailer for Zola finally dropped with a brief cameo from a queer icon.
