The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

01 Sinead O'Connor - Nothing Compares 2 U 02 Mike Oldfield - Moonlight Shadow Vocals - Maggie Reilly 03 Marillion - Kayleigh 4 Feargal Sharkey - A Good Heart 05 Ultravox - Vienna 06 Robert Palmer - Simply Irresistable 07 Gary Moore - Still Got The Blues - For You 08 Mel & Kim - Respectable 09 Charles & Eddie - Would I Lie To You? 10 Baltimora - Tarzan Boy 11 Boy George - Everything I Own 12 Paul Hardcastle - 19 13 Climie Fisher - Rise To The Occasion 14 Heaven 17 - Temptation Vocals - Carol Kenyon 15 China Crisis - Wishful Thinking 16 Steve Harley & Cockney Rebel - Make Me Smile (Come Up And See Me) 17 The Babys - Every Time I Think Of You 18 The Specials - Ghost Town...
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.