"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
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Young Marco, who shies away from women because of his mother's behavior—she sleeps with anyone and everyone to cope with the trauma of early widowhood—finds himself seduced by Anna and Eva, two enterprising women from Milan. A trivial accident resulting from a "game" with the two women causes Marco's mother to fall and hit her head; the incident restores her to "normality," leaving Marco with nothing to do but thank Anna and Eva for what happened.
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By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.