Grateful Dead: All The Years Combine - The DVD Collection (2012)
Bonus Disc Performances Shoreline Ampitheatre • Mountain View, CA • October 2, 1987 14-1 China Cat Sunflower 14-2 I Know You Rider 14-3 Man Smart, Woman Smarter Sullivan Stadium • Foxboro, MA • July 2, 1989 14-4 Friend Of The Devil The World Ampitheatre • Tinley Park, IL • July 22, 1990 14-5 Hey Pockey Way Soldier Field • Chicago, IL • June 22, 1991 14-6 Shakedown Street 1992 Documentary Backstage Pass, Directed By Justin Kreutzmann 14-7 Backstage Pass New Interview With Grateful Dead Archivist David Lemieux 14-8 New Interview With Archivist David Lemieux
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Bonus Disc Performances Shoreline Ampitheatre • Mountain View, CA • October 2, 1987 14-1 China Cat Sunflower 14-2 I Know You Rider 14-3 Man Smart, Woman Smarter Sullivan Stadium • Foxboro, MA • July 2, 1989 14-4 Friend Of The Devil The World Ampitheatre • Tinley Park, IL • July 22, 1990 14-5 Hey Pockey Way Soldier Field • Chicago, IL • June 22, 1991 14-6 Shakedown Street 1992 Documentary Backstage Pass, Directed By Justin Kreutzmann 14-7 Backstage Pass New Interview With Grateful Dead Archivist David Lemieux 14-8 New Interview With Archivist David Lemieux
Rating:
Genre:Music, Documentary
Directed By:
Written By:
In Theaters:3/30/2012
Box Office:
Runtime:
Studio:
Articles You May Like
Past Lives (2023) – What If Timing Was the Only Thing That Got in the Way
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
“A Girl Walks Home Alone At Night”: A Powerful Look At the Exploitation of Women
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Daphne - The Diamond of Netflix's "Bridgerton"
"United States of Al" is Another Show Made for White Viewers- But in a Good Way
'Concerto For Humanity': The Eras We Live In
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.