‘Avatar: The Last Airbender’ is now on Netflix
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.

When director Mun accidentally discovered the diaries of his late granduncle, who was mentally ill, he unexpectedly learned about his family's secret history. The small mountain village in South Jeolla Province where Mun's family lived, was nursing the wounds from conflicts of class, ideology as well as from the displacement of family members in South and North Korea, and even in Japan. It turned out that the history of his family contained all the tragedies of modern Korean history, a history he had only known through textbooks. This interesting documentary investigates a complex history linking the repercussions of Japanese colonialism and the Korean War to the director's family memories.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.