Set in an opulent chateau, a widowed Count (Willem Dafoe) meets three young strangers, who are full of desire of adventures. But then, the deceased Countess (Daisy Ridley), haunts her widowed husband through the lens of a camera, collapsing then and now, amongst youthful decadence and yearning.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
A story of a magical dragon brings great representation for Chinese culture.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
