A group of women take on a major crime lord on the streets of Los Angeles in the lawless "Calles de Infierno" district in a bid to take over his business and rule the city. But they'll first have to deal with a revenge-seeking vigilante looking to clean up the streets. The gangs, the cops and the vigilante clash in an explosive battle of cars, guns, double and triple-crosses on the streets of LA.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
“There’s always something you can do…to make people feel like they’re welcome”
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
