Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Goya in Bordeaux
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life.
Rating:
Genre:Drama, History
Written By:Carlos Saura
In Theaters:
Box Office:
Runtime:100 minutes
Studio:Italian International Film, Vía Digital, RAI, Lolafilms, TVE
Cast
Carlos Saura
Director
Francisco Rabal
Goya
Jose Coronado
Goya Joven
Dafne Fernández
Rosario
Maribel Verdú
Duquesa de Alba
Eulalia Ramón
Leocadia
Joaquín Climent
Moratín
Josep Maria Pou
Godoy
Saturnino García
Cura y San Antonio
Cristina Espinosa
Pepita Tudó
Concha Leza
Mujer en Andalucía
Franco di Francescantonio
Doctor en Andalucía
Articles You May Like
Uncle Frank’: Acceptance and Queer Representation
‘Halston’ Conveys Confusing Messages of Representation
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
'Life & Beth' and 'Sort Of' - Two New Series Bravely Lose The Labels
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Kill Bill: Volume 1 Review
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.