"It's really a beautiful picture." The story of a drug-fueled weekend in a Brooklyn apartment propelled by grief and loyalty. Lee, reeling from the death of his mother, visits the home of his old friend, Monty. Given his present state of mind (and body), it’s not a pleasant visit, at least from the perspective of Monty’s well put together wife, Virginia. This bold experiment from director Elliot Conrad roars beyond the limits of plot creating an indelible portrait of a friendship and a marriage ramming into one other.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
