13 Going On 30 Shows Teens the Reality of Adulthood
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.

Jackie got home before his stepbrother, Rimi, from the soccer game. When he finally arrived, Rimi plopped down, exhausted but horny. Rimi started grabbing himself as Jackie watched with drool dripping down his chin. Troy tried so hard to be professional on his first day as a massage therapist, especially when his first client was his stepbrother, Leonel. Troy was nervous, but after years of playing together, Leonel knew his body was in good hands. Jake doesnt often cross the line with his stepbrother, Loick, but after a night of drinking and making out with him, they decided that the morning would be the day they relive their youth, and a good fucking was long overdue. Luzio was excited to get a massage from his stepbrother, Bruno, who was trying to earn some extra money for school. Bruno was scared to ask, but Luzio was ready to do everything and anything his stepbrother wanted to show his support.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.