We need more action movies like 'The Old Guard'
This groundbreaking summer blockbuster proves that diversity enhances the action genre.

Heinrich Lutter is unemployed and lives with his two sons Mike and Günni. Both need his full attention: Mike has a criminal record and Günni has been disabled since birth. The only thing that keeps him going is his camper van - his symbol of freedom and a better life in Italy. But his dream on four wheels is confiscated by the authorities. Nevertheless, he refuses to be deterred and continues to hold on to his conviction that he can honestly obtain his rights and realize his visions.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
‘A Good Person’ makes it clear that forgiveness is hard.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics