'Meshes of the Afternoon' Enters the Realm of Sci-Fi
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.

Poland, 1945. Crowds of repatriates are traveling from east to west in search of new homes and loved ones lost during the war. At one of the train stations, a young woman, Hanna Powiłańska, sits among the crowd of displaced persons. The girl recalls a story of turbulent love. Before the war, at a carnival ball, she met the handsome Lech Oleszkiewicz. In September, war broke out. Hanna meets the engineer again and spends the night with him. In the morning, the man tells her that he is married. Hanna breaks off the relationship.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
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