The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

Hjalmar leads a double life; during the day, he is a clerk at his father’s bank while at night, he leads a notorious gang known as “Heldet” (Fortune) to pay for his prodigious womanising and gambling. When “Heldet” knocks over his own bank, Hjalmar distracts the guard while the rest of the gang cleans out the vault, then he calls the police to allay any suspicion. But master detective Gorki is on the case, and Hjalmar might not have been as careful as he thinks. (stumfilm.dk)
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
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