Gord's Brother 

Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.

Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.

We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.