This horror machinima short by Alvin Soprano tells the story of little Lucy walking in on her recently deceased mother crossing over to the light.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
