To commemorate the passing of their beloved father, four brothers very much at odds congregate for one final week at their summer house in the Magdalen Islands. As they bid their final goodbyes, the four brothers revisit their past joys and hardships as each one of them struggles to give meaning to their very different lives.
Ken Scott
Director
François Arnaud
L'Épicurien - Nicolas
Antoine Bertrand
Le Nostalgique - Thomas
Louis Morissette
Le Businessman - Charles-Alexandre
Patrice Robitaille
L'Auteur - William
Charlotte Aubin
Camille
Julie Le Breton
Liliane
Marilyse Bourke
Valérie
Élizabeth Duperré
Audrey
Geneviève Boivin-Roussy
Laura Lambert
Pierre-Yves Cardinal
Philippe Lambert
Jean-Guy Bouchard
Homme à tout faire
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.