
It is November 1992 and the US Navy is preparing to surrender its largest overseas facility at Subic Bay, Philippines, after almost a century. For both countries, and for the navy, it is a time of change. Violence erupts shortly after the U.S. Navy announces plans to withdraw from a Philippine base in 1992.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
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If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.