Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Good Luck poster

Good Luck 

The soldier Turok, who always gets into trouble, must take the wounded captain to the command post. Having met a German patrol, Turok stuns the German and takes him prisoner, but cannot find the way to the checkpoint. The captain himself went to look for her. Having again stunned and tied up the prisoner who had come to his senses, Turok returned to the battery and learned that the captain had decided to take him on his reconnaissance mission.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The soldier Turok, who always gets into trouble, must take the wounded captain to the command post. Having met a German patrol, Turok stuns the German and takes him prisoner, but cannot find the way to the checkpoint. The captain himself went to look for her. Having again stunned and tied up the prisoner who had come to his senses, Turok returned to the battery and learned that the captain had decided to take him on his reconnaissance mission.

Rating:
Genre:War
Directed By:Veniamin Smagin
Written By:Vladimir Belyayev
In Theaters:
Box Office:

Runtime:21 minutes
Studio:Belarusfilm

Articles You May Like


Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

Kirk Fernwood

Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Nilufer Ozmekik