Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

GOOD GRIEF is a darkly comedic whirlwind, set in Salt Lake City at a Mormon Mortuary. We follow Avery, the estranged daughter of the deceased, who is slowly suffocated by her dysfunctional family at the viewing of her father’s body. Her patience wears thin as her family members continue to make the day about themselves. Eroded with guilt over her father’s last attempt at connection before his suicide, Avery reaches a breaking point which blows the lid off the family’s repressed grief. GOOD GRIEF is a fast paced, overwhelming, emotional portrait of collective grief and the bizarre ways in which we cope.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Narnia, Avengers: Doomsday, Jumanji 3 are some compelling ones! Some of the biggest 2026 movies tied to popular franchises, books, video games, comics, and existing series. Marvel and DC, Disney and Pixar.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.