“Driveways”
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

When Hendo notices that he is being lied to at every turn, he dreams that everyone will answer every question correctly.: Miraculously, the dream comes true. From now on, no one can force Hendo to lie, which leads to funny, ridiculous, and unpredictable situations. Hendo uses this power in his personal and public interests, which makes him a universal favorite and recognition. But fame has its price, and what's right doesn't always work in his favor. In a second, Hendo loses everything when his own lies are revealed and become public : Hendo tries to regain what he has lost at any cost, and again a miracle helps him.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.