The Black and White Metaphor in 'Passing'
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.

The cause of a veritable hecatomb during the 1980s and the first half of the 1990s, more and more doctors no longer hesitate to speak of HIV as a chronic disease. Although there is no cure for HIV, the tritherapies, which have been available since 1996 and are constantly being improved, now make it possible to live with it: HIV is no longer synonymous with AIDS, more than 80% of patients are therapeutically successful; this is more than diabetes. The promise of a vaccine is constantly being postponed: what solutions can be found to ensure that one day we can finally talk about the end of AIDS? What kind of prevention should be implemented to make it effective? This film takes stock of the major medical advances made today and investigates the successes and failures of HIV.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
Cinderella has been adapted many times over, with the latest adaptation from Amazon sparking controversy over its girlboss agenda. But what of diversity? We rank some of the most popular adaptations for diversity.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.