Top Gun: Maverick is the Perfect Adrenaline-Fueled Sequel to the Original
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.

Grinding, gruelling and unceasing, Dennis Barker's training sessions push his young swimmers to the limits of their endurance. Outstanding among them is 14-year-old Rachel Southern. Destined for stardom perhaps, but also destined to realise that winning doesn't always mean coming first.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
"Beef" is a new dark comedy with a near entire Asian-American cast
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.