Ray Ashford, an astronaut on the Goldilocks Missions, searches the stars for a new home, when a circuit failure in his ship threatens to jeopardize the mission and put in danger the lives of those he loves.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
