Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Once upon a time, there were two neighboring countries that did not get along. They bickered over trivial things day in and day out. Finally, they went to war over the issue of cleaning up dog feces. God intervened in a hurry and said to the chiefs of the two countries. Country A gives its most beautiful girl to Country B as a bride and Country B gives its wisest young man to Country A as a bridegroom. Then, the princess of country A, Saara, happens to meet a young man from country B...!
Not every silence is empty. Some are filled with things too heavy for words.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.