Rebel with a Cause: Andor
Andor is an origin story where each side will do whatever it takes.

Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.
Andor is an origin story where each side will do whatever it takes.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
A new chapter for the Predator Franchise, Prey(2022), brings an action-packed film of two hunters going against one another to prove their worth in the hunt.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.