When a cruel and lustful landlord tries to assault Ali Mohammad Sangari's wife, Ali Mohammad and his son, Gol Aqa, rush to save her. However, the woman is killed, and from then on, the father and son launch a rebellion against the landlord. Four years later, Ali Mohammad passes away, leaving Gol Aqa to continue the fight alone. Once, while wounded, Gol Aqa takes refuge in a house where the owner's daughter, Narges, nurses him back to health. During this time, they fall in love and eventually marry. On their wedding night, the landlord's men attack to capture Gol Aqa. Gol Aqa is killed, and Narges, still in her wedding dress, guns down her lover's killers before being killed herself.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
