A documentary that highlights the religious left and the fight for marriage equality in Minnesota. The director spent nearly a year interviewing faith leaders across a spectrum of beliefs, along with scholars, politicians, and everyday people—all discussing how their views of religious texts and traditions support marriage among any two consenting adults. The title, "God Votes No," stems from the effort to defeat a proposal on the November 2012 ballot to define marriage in the Minnesota state constitution as the exclusive domain of one man and one woman. "God Votes No" features interviews with U.S. Rep. Keith Ellison, practicing Mormons Alan Sparhawk and Mimi Parker of the Duluth band Low, and author Jay Michaelson, among many others.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
