'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

A doting father, terminally ill with cancer, spends the remaining days of his life with his young daughter.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
An attempt to capture nostalgia that unfortunately just doesn’t work
Intergenerational friendships and community can be so powerful, and this was a great example.
This reboot of The Wonder Years is told from the lens of a Black man.
Spoiler Warning