
Something terrifying has returned to the tiny village of Salem’s Bluff. It’s a week before Thanksgiving, but this time, it’s the humans who are being carved up. Vicki Stanton, a professor of New England folklore, believes the culprit is none other than the dreaded "Gobblefoot"—a mythical creature, half turkey, half Bigfoot, that stalked these very forests 200 years ago. Will the residents of Salem’s Bluff survive to enjoy their pumpkin pie, or will they all fall prey to the monstrous Gobblefoot?
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.