‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

Three people are up for the same job. Their lives are turning inside out under the pressure. And someone is watching the whole thing. More than one person, in fact. And someone else is watching them watch. A sorrowful and comedic examination of our fall into the surveillance culture.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.