The story begins at the height of Gleason's career. He has it all: women, wealth, and extraordinary power. But he is haunted by memories of his childhood. Gleason spends his formative years entering amateur contests, performing in sleazy night spots. Along the way, he steals gags from the best comics in town and finds love with Genevieve, a dancer whom he marries. But Gleason isn't the ideal husband or even a responsible father as he abandons his family to answer the call of Hollywood. Brash, arrogant, and egotistical, he alienates his directors and the man who discovers him. When he ends up back in New York, Gleason gets one of those rare second chances in the new medium of television, creating some of its most unforgettable characters. But even as Gleason becomes the talk of the tube, his life - ruled by demons of rage, booze, and insecurity - unravels.
Howard Deutch
Director
Brad Garrett
Jackie Gleason
Saul Rubinek
George 'Bullets' Durgom
Gretchen Egolf
Genevieve Halford
Kristen Dalton
Audrey Meadows
Michael Chieffo
Art Carney
Danny Wells
Jack L. Warner
Mark Camacho
Sammy Birch
Jason Blicker
Sol Friedman
Vlasta Vrana
Toots Shor
Shawn Lawrence
William S. Paley
Kevin Dunn
Jack Philbin
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?