‘Unknown Origins’: Cool Concept, Poor Execution
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

A goofy-sincere romcom with an indie edge, GÜLE-GÜLE follows two beautiful people, seemingly strangers, who can’t escape their incredibly annoying partners during a Korean group tour of historic Turkey. Jeong-wha is all but babysitting her perpetually drunk (ex?) husband, and Dae-sik has to humor his supervisor’s juvenile power games. Travel is supposed to be a respite from everyday life, but these two find themselves stuck with the parts of home they most want to escape.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.