'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

After going down in the fifth round, boxer Bud Gordon bowed out of the limelight. Now residing in a fixer-upper apartment in New Jersey with his girlfriend, Bud longs for his former Manhattan glory. In an effort to get back in the game, he makes a deal with a crooked restaurateur. But quick schemes rarely bring easy pay-offs and as the consequences of his business negotiations unfold, Bud has to make a choice between his integrity and his aspirations.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.