Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Night. In the hut Glasha rocking his little sister Dunechka. There is a black cat on the stove, who has lost all his teeth due to his old age, which is why the mice are bothering him. Suddenly strange shadows crawl along the walls, and an old woman appears in the hut. She asks to spend the night, but Glasha says that her parents, when they left for the fair, were severely asked her: do not let strangers into the house. But the old woman persuades Glasha to leave her, and when Glasha goes to bed, the old woman kidnaps little Dunechka and takes her to the forest. The animated film is based on the tales of Aleksey Nikolaevich Tolstoy "Kikimora" and "Vas'ka the Cat" (both written in 1910).
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.