'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

A romance between the painters and writers: Dr. Atl and Nahui Olin arises in this era, the 20's, while Jose Vasconcelos founded the Ministry of Education and call all the intellectuals of the country for this project. Mr. President Alvaro Obregon, who feels devotion for the intellectuals allows one of the most important cultaral crusades of our history. In this liberal atmosphere where gays, the divorce, the vote for women, began to be accepted, several of our protagonists are given in love within a whirl of ideas, passions, political and ideological propositions.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.