'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Set just after the end of WWII (but filmed in the middle of it) in a time of general euphoria at having won the war, with full employment and general happiness for all (or nearly all). Peter, the young wastrel son of a hard working hotel owner doesn't like the idea of having to work for a living. He discovers a society of "White Elephants" who are quite willing to be poor as long as they don't have to work. They are protected and guided by Nina (Margaret Lockwood) and her precocious sister Heidi (Jean Simmons).
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.